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Production Credits

HAIRY BLACK HOLE

Performer/Writer: Christina Liang
Director: Philip Estrera
Director of Photography: YiChing Hung
Sound Recordist: Gaston Martinez Acosta
Editor: Philip Estrera
Executive Producer & Line Producer: Patricia Lynn
Technical Director & Lighting Design: Patrick Horn
Lighting Programmer: Miranda Poett
Artist Producer (Creation Process): Patricia Lynn
On-Site Covid Safety: Heather Olmstead
Music:
“Going to the Chapel of Love” cover performed by Lauren Hart
”Fortress” by Woodlock
Consultant: Horst Dieter Baum
Location: West End Theater : Michelle Navis & Brent Ness


Special Thanks:
Eric Vladamir Perez
Maria Estrera

ALL MEN ARE CLOWNS

Performer/Writer: C.Bain
Director: C.Bain
Dir.Photography: C.Bain
Editor: C.Bain
Music: Nirmal Chandraratna
Artist Producer (Creation Process): Jordan Kaplan

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NYC TEAM
WestEnd Location Shoot & Edit:
Dir/DP/Editor for Intro & Outro: Philip Estrera
Patricia Lynn (Line Producer)
Technical Director & Lighting Design: Patrick Horn
Lighting Programmer: Miranda Poett
On-Site Covid Safety: Heather Olmstead

RICKI MARTIN

Stop Motion Artist: Ashley Grombol
Writer/Story/ Director: Ashley Grombol
Director: Ashley Grombol
Music: Phil Pickens
Sound Design / Foley: Ashley Grombol
Props and Food Props: Ashley Grombol
Artist Producer (Creation Process): Natalie Hegg

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WEST END THEATER LOCATION SHOOT:
Stopmotion Filming: Ashley Grombol
Dir/Editor/Camera for Intro and Outro: Philip Estrera
Line Producer: Patricia Lynn
Technical Director & Lighting Design: Patrick Horn
Lighting Programmer: Miranda Poett
On-Site Covid Safety: Heather Olmstead
West End Theater : Michelle Navis & Brent Ness

I HAD A DREAM

Performer/Composer/ Lyrics: Naeemah Maddox
All Instruments: Naeemah Maddox
Director: Philip Estrera
Director of Photography: YiChing Hung
Song Recording: Naeemah Maddox
Editor: Philip Estrera
Executive Producer & Line Producer: Patricia Lynn
Technical Director & Lighting Design: Patrick Horn
Lighting Programmer: Miranda Poett
Artist Producer (Creation Process): Emily Kitchens
On-Site Covid Safety: Heather Olmstead
Location: West End Theater : Michelle Navis & Brent Ness


Special Thanks:
Horst Dieter Baum
Maria Estrera

 Gwendolyn Bennett

POET/ARTIST/WRITER/TEACHER

Gwendolyn Bennett, a teacher, artist, and writer, was born in Giddings, Texas in 1902. She never published her collected work, but her poems, short stories, and nonfiction columns appeared in literary journals, among them Opportunity, Fire!! and Palms. Bennett was connected to the Harlem Renaissance and a dedicated supporter of African American writers and artists through support groups, community centers, and schools. She died in Reading, Pennsylvania in 1981.

Bennett, the daughter of teachers, grew up on a Nevada Indian reservation and in Washington, D.C., and Brooklyn, N.Y. She attended Columbia University and Pratt Institute, then studied art in Paris (1925–26). She wrote articles and created covers for The Crisis and Opportunity magazines. Her close friendships with fellow Harlem-based writers resulted in her becoming an Opportunity editor and writing its popular literary news column (1926–28). Twice widowed, Bennett taught and lived away from New York for long periods. She was suspended from directing the Harlem Community Art Center in 1941 because of suspected communist associations. *

Most of Bennett’s published work, including two short stories, appeared in 1923–28, and though it is often anthologized, her work has not been collected. Her ballads, odes, sonnets, and protest poetry are notable for their visual imagery; her best-known poem is the sensual “To a Dark Girl.”*